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≫ Descargar Sweet Revenge A Lady Arianna Regency Mystery Lady Arianna Hadley Mystery Andrea Penrose Books

Sweet Revenge A Lady Arianna Regency Mystery Lady Arianna Hadley Mystery Andrea Penrose Books



Download As PDF : Sweet Revenge A Lady Arianna Regency Mystery Lady Arianna Hadley Mystery Andrea Penrose Books

Download PDF Sweet Revenge A Lady Arianna Regency Mystery Lady Arianna Hadley Mystery Andrea Penrose Books


Sweet Revenge A Lady Arianna Regency Mystery Lady Arianna Hadley Mystery Andrea Penrose Books

The author specifically requested reviews on the grounds that she is an indie author and information about her books should spread by word-of-mouth. She should not have asked. The book needs a thorough proof-reading for spelling ("capitol letters," "Carlton House") and usage ("to have your own your peccadilloes"). The unmarried daughter of an earl (and the heroine, no less) would not be addressed as "Lady Hadley" but rather as "Lady Arianna," with her given name. A baronet was scarcely "lowly" in the overall English class structure. Bah!

Read Sweet Revenge A Lady Arianna Regency Mystery Lady Arianna Hadley Mystery Andrea Penrose Books

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Sweet Revenge A Lady Arianna Regency Mystery Lady Arianna Hadley Mystery Andrea Penrose Books Reviews


There was a lot to like about this book A strong female character, intrigue and mystery about her past and her father’s death, her plan to seek revenge, her partnering up with an Earl who somehow found himself investigating a murder, and an elaborate plan to enter high society London to find the answers they were all seeking. While I do think the book is worth reading - I’m going on to the next in the series now - this one had some stumbling blocks. 1) The first two to three chapters were “choppy.” It seemed like they jumped from one scene to another too quickly, and the reader didn't quite know what was going on. After the first few, the book settled into a more appropriate pace, but there was still the occasional segue that seemed very abrupt. 2) The notes at the beginning of each chapter were distracting. I thought they might contribute to or tie into the ending in some fashion, but they really don’t. 3) It was REALLY hard to follow the story line when it came to the conspiracy and what all the bad seeds in this book were up to. I saw the author’s note about them being a real part of England’s history, which I appreciate. But as a reader (and an intelligent one at that), that part of the plot was simply too complex to really understand or care about. Lastly, I was disappointed at the end of the book when it seemed like Lady Arianna would not be able to reclaim her identity and live on her own. I won’t know until the next book how that actually plays out, but I’d have much preferred it if she could have retained her independence - at least for a little while. But I also keep reminding myself of the time period, and what the author wrote is prob more realistic. Closing note I had just finished reading another book by this author, which I thought was fantastic. I know the talent is there, and I look forward to reading more of her work. I just think this one could use a TAD more refinement.
This is the first book in the Lady Arianna regency mystery series. Arianna has disguised herself as a male chef in a London society household in order to find out who was responsible for killing her father while they were their exile from England in Caribbean so she can exact revenge. She is in trouble when the Prince Regent falls ill after eating her solid chocolate concoction, a novel concept at that time in England when chocolate was primarily a drink. Because of the need to keep the attack under wraps, a former military officer and expert on chocolate, the Earl of Saybrook is assigned to investigate. In interviewing Arianna, they are attacked and he discovers her secret. She agrees to help his investigation, going undercover as a distant female relation, in hopes of finding out her own mystery. The two are unsure if they can trust one another, but with the future of England possibly on the line, they must find a way to make it work. The story includes many historical details including a reference to an intricate economic scam of the times. The book includes a slew of chocolate recipes, one at the start of each chapter. While they looked delicious, the sheer number of them was a bit distracting from the story, particularly because of their modern format and descriptions.
Wanted to love it. Didn't. Contrived and predictable and peopled with stock protagonists and villains alike. The female protagonist was too much of a Mary Sue and far from likeable. In fact, my favorite character in the whole book was Alessandro's Grandmother who is featured in diary excerpts at the head of each chapter.

The book suffered from too many errors, missing conjunctions and nonexistent pronounces. In quite a few instances it seemed the author was going for word count rather than narrative. Not to mention some of the oddest descriptive phrasing I have encountered. I do think my all time favorite mistake in the book was the "wall scones" - obviously meant to be sconces - it was delicious!
I quite enjoyed this swashbuckling tale, with some caveats. As some other reviewers have noted, Arianna was a difficult heroine, but of course she was cynical after the painful, lonely life she'd been forced to live since the age of 15. I loved the unstinting courage with which she approached every situation. Saybrook was very attractive, fighting his own personal demons, yet maintaining his sense of honor. Their romance evolved naturally and in keeping with the time period and aligned well with the story. I enjoyed their repartee, although it and the narrative were littered with cliches, ranging from "the best laid schemes of mice and men" to "cat got your tongue" and even "sticks and stones may break your bones ...," the old childhood taunt repeated in all seriousness by a full grown adult character! Falling back on stale, old chestnuts rather than original expressions of characters' states of mind was disappointing, when the author otherwise wrote quite well. And I can honestly say that Sweet Revenge wins the prize for the most references to men's dangly bits. Whether in the form of jokes, threats or in other contexts, it was a weird preoccupation.
This gets three stars for a fair plot, and even though I finished it, I would not continue with the series. It has huge holes in it for the Regency genre and was implausible in several areas. A major distraction in reading is the poor grammar (same errors repeated throughout the book), i.e., you instead of your, an instead of a, scone when they mean sconce.
The author specifically requested reviews on the grounds that she is an indie author and information about her books should spread by word-of-mouth. She should not have asked. The book needs a thorough proof-reading for spelling ("capitol letters," "Carlton House") and usage ("to have your own your peccadilloes"). The unmarried daughter of an earl (and the heroine, no less) would not be addressed as "Lady Hadley" but rather as "Lady Arianna," with her given name. A baronet was scarcely "lowly" in the overall English class structure. Bah!
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